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These are heady times for creators of books and stories that may be suitable for television production. In addition to the traditional broadcast networks (NBC, CBS, ABC and Fox), a legion of pay and basic cable exhibitors and, more recently, direct-to-consumer streaming outlets such as Netflix, Amazon, Apple and Hulu, are voraciously licensing product from those creators. (Although the licensee of the content may be a production company or the ultimate exhibitor, for the purposes of the article we will refer to the licensee as “the exhibitor”).
By Stan Soocher
On March 7, 1994, the U.S. Supreme Court decided for the first time that a parody may be a copyright fair use. In the 25 years that followed, the High Court’s unanimous 9-0 ruling in Campbell v. Acuff-Rose Inc., has been cited in more than 500 court decisions. But the Supreme Court’s pronouncement left questions and controversies in its wake.
By Ross Todd
The Ninth Circuit decided that a group of African-American-owned television networks can pursue racial discrimination claims against Charter Communications Inc., the nation’s third-largest cable provider.
By Robert J. Bernstein and Robert W. Clarida
The U.S. Court of Appeals for the Second Circuit recently issued a long-awaited ruling in Capitol Records LLC v. ReDigi Inc., affirming summary judgment in favor of Capitol Records and its record label co-plaintiffs in a case that raised issues of first impression concerning first sale and fair use in the age of digital music distribution.
By Lizzy McLellan
A Philadelphia lawyer is suing the founder of a fast-growing litigation boutique over a purported fee-sharing settlement, is arguing that the boutique backed out of the settlement so it could fund other cases against video game makers.