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The Essentials of Collaboration Agreements for Literary Works
Courtney Love was sued last April by the collaborator she hired to co-write a memoir. (The collaborator alleged Love failed to make payments due under their agreement; the parties settled.) Former Westchester, NY, District Attorney Jeanine Pirro was sued in October 2015 by a collaborator hired to co-write a book that would include Pirro's role in investigating accused murderer Robert Durst. (That collaborator claimed, among other complaints, that Pirro had not dedicated sufficient time to the book; Pirro moved to compel arbitration.) In November 2015, the New York Daily News reported that Donald Trump's recent book, Crippled America: How to Make America Great Again, was written by someone else. (He or she received no credit.)
Each of these literary relationships fits within a broader legal discussion about artistic collaboration, which concerns joint authorship, ownership and works for hire. While all creative collaborations have features in common, there's a uniquely intimate and trusting nature of the relationship between someone (the subject) whose story interests the public, and a writer engaged by him or her to put that story, either jointly or singly, into concrete form (the writer).
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