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During the first week of March 2020, before concerns over the spread of COVID-19 reached fever pitch, the 30 shows that were then running on Broadway collectively grossed $26.7 million. The lucrative spring theater season had just begun, and 16 new shows were scheduled to open before the end of April in order to be eligible for the 2020 Tony Awards.
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By Stan Soocher
A thorny concern for lawyers is whether — and if so, when — an attorney/client relationship has been formed with a party with whom the lawyer has entered into a business arrangement. Current litigation over an agreement involving theatrical production rights to the Tony Award-winning musical Man of La Mancha offers some perspective on the issue.
By Shaleen J. Patel and Sushmitha Rajeevan
In the process of creating new content, AI, which has moved into the entertainment industry, may create copies of copyrighted works in memory storage as a byproduct of its overall output sequence. This article explores authorship and ownership of such AI-generated content, and to what extent, if any, can copyrights be infringed upon when AI reproduces copyrighted works for machine learning.
By Ellen Bardash
In a decision that narrowed what actions can be brought by Delaware companies’ stockholders in the context of a merger, the Delaware Court of Chancery dismissed claims brought against former 21st Century Fox executives, including three members of the Murdoch family.
By Stan Soocher
DGA’s “Qualification List” Isn’t a “Labor Organization” Under Georgia Law
Unlicensed Use of Van Halen Photo in Conjunction With Museum Exhibit Ruled Fair Use