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State "anti-SLAPP" statutes offer a fertile avenue for motions to strike allegations in lawsuits filed over expressive content. These laws are aimed at allowing a defendant to file a motion to strike a "Strategic Lawsuit Against Public Participation," such as those based on public comments and content issued by a defendant. The most-recent significant anti-SLAPP court decision involving the entertainment industry was issued in December 2021 by the California Court of Appeal in Musero v. Creative Artists Agency (CAA), B305066.
This case arose out of a lawsuit filed in Los Angeles Superior Court by script writer John Musero, a former prosecutor and studio lawyer, against his former CAA talent agents. Musero's complaint alleged, among other things, that defendants misappropriated his proposal for a TV series named Main Justice, about a female U.S. attorney general, by providing another CAA client with "resource" material from Musero's proposal for the development of a pilot for a CBS series also named Main Justice based on Eric Holder, the first Black US. Attorney General, though CBS didn't pick up the show.
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The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.
This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.
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