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There is a commonly held belief that legal-ethical regulation is unable to keep up with the pace of technology. The belief is so prevalent that it has been given a colloquial term: “the pacing problem.”
Although this term and concept was coined nearly 20 years ago, the recent proliferation of generative artificial intelligence has renewed questions about whether laws can be enacted that will be adequate or relevant for such complex emerging technologies.
It’s a fair question. After all, ChatGPT was publicly released at the end of November 2022, and while many new models and systems have been released there has been comparatively little AI regulation passed at state or federal levels. Even legislation that seemed nearly certain to pass has fallen short, as we saw last month with the veto of HB 2094 by Gov. Glenn Youngkin (R-VA).
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The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.
This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.
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In Rockwell v. Despart, the New York Supreme Court, Third Department, recently revisited a recurring question: When may a landowner seek judicial removal of a covenant restricting use of her land?