Law.com Subscribers SAVE 30%

Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.

Viacom's Lawyers In the YouTube DMCA Litigation

By Nate Raymond
April 27, 2012

Paul Smith of the Washington, DC, office of Jenner & Block wasn't supposed to be the one standing before a panel of appellate judges last October, trying to convince the U.S. Court of Appeals for the Second Circuit to revive Viacom's $1 billion infringement suit against YouTube and Google. Months earlier, Viacom had hired Theodore Olson Jr. of Gibson, Dunn & Crutcher to persuade the court that Google should be held to account for hosting thousands of copyrighted videos on its video sharing site.

But just three days before oral arguments, Viacom changed its mind and called on Smith, who had been involved in the case from the outset, to square off against Google lawyers at Quinn Emanuel Urquhart & Sullivan. Smith split the arguments with Charles Sims of the New York office of Proskauer Rose, who represents a proposed class of copyright holders with their own claims against Google.

“I'd been heavily involved in all the preparation and moot courts, but I basically had to work many hours a day to get up to speed,” Smith says. “It was rather intensive.” (Smith declined to comment on the last-minute change of counsel and Olson couldn't immediately be reached; Viacom's general counsel said that Olson would remain part of the company's legal team.)

Reversal

The preparation paid off for both Smith and Sims in April 2012, when the Second Circuit reversed a June 2010 lower court decision that had granted Google summary judgment in the case. The appellate court held that “a reasonable jury could find that YouTube had actual knowledge or awareness of specific infringing activity on its website” when users illegally uploaded clips from shows like The Daily Show and South Park. Viacom International Inc. v. YouTube Inc., 10-3270 (2nd Cir. 2012).

The Second Circuit decision revived one of the biggest copyright infringement cases in U.S. history, and offers judges much-needed guidance on how to interpret the safe harbor provisions of the Digital Millennium Copyright Act (DMCA), which partially shields Internet companies from copyright claims over user-generated content. As noted in the article on page one of this issue of Entertainment Law & Finance, the two-judge panel held that Viacom and the class could move forward on claims that Google was “willfully blind” to instances of copyright infringement on YouTube.

The Second Circuit also reversed Manhattan federal district court judge Louis Stanton by allowing Viacom to argue that YouTube had a “right and ability to control the infringing activity and received a financial benefit directly attributable to that activity.” Sims took the lead arguing those issues in October.

Sims landed on the case for the appeal after former Proskauer partner Louis Solomon left for Cadwalader, Wickersham & Taft in March 2010. Sims will continue to represent the Football Association Premier League, which is also suing YouTube, now that the case is back at the district court. Taking over the case offered him a second shot at arguing DMCA issues before Second Circuit after a 2001 trip to the court for the plaintiffs in Universal City Studios Inc. v. Corley, 273 F.3d 429, in which the movie studios fought successfully to block a program that could decrypt DVDs.

As the Viacom case returns to the district court, Sims says, “[o]bviously there will be a lot of focus on willful blindness and [YouTube's] knowledge and red flag awareness.” Barring a settlement, more appellate litigation seems all but certain. “I think there is still some ambiguity that the Second Circuit left in the law,” Smith says. “So we'll have some wrangling about what the safe harbors are.”


Nate Raymond is a reporter with The American Lawyer, an ALM affiliate publication of Entertainment Law & Finance.

Paul Smith of the Washington, DC, office of Jenner & Block wasn't supposed to be the one standing before a panel of appellate judges last October, trying to convince the U.S. Court of Appeals for the Second Circuit to revive Viacom's $1 billion infringement suit against YouTube and Google. Months earlier, Viacom had hired Theodore Olson Jr. of Gibson, Dunn & Crutcher to persuade the court that Google should be held to account for hosting thousands of copyrighted videos on its video sharing site.

But just three days before oral arguments, Viacom changed its mind and called on Smith, who had been involved in the case from the outset, to square off against Google lawyers at Quinn Emanuel Urquhart & Sullivan. Smith split the arguments with Charles Sims of the New York office of Proskauer Rose, who represents a proposed class of copyright holders with their own claims against Google.

“I'd been heavily involved in all the preparation and moot courts, but I basically had to work many hours a day to get up to speed,” Smith says. “It was rather intensive.” (Smith declined to comment on the last-minute change of counsel and Olson couldn't immediately be reached; Viacom's general counsel said that Olson would remain part of the company's legal team.)

Reversal

The preparation paid off for both Smith and Sims in April 2012, when the Second Circuit reversed a June 2010 lower court decision that had granted Google summary judgment in the case. The appellate court held that “a reasonable jury could find that YouTube had actual knowledge or awareness of specific infringing activity on its website” when users illegally uploaded clips from shows like The Daily Show and South Park. Viacom International Inc. v. YouTube Inc., 10-3270 (2nd Cir. 2012).

The Second Circuit decision revived one of the biggest copyright infringement cases in U.S. history, and offers judges much-needed guidance on how to interpret the safe harbor provisions of the Digital Millennium Copyright Act (DMCA), which partially shields Internet companies from copyright claims over user-generated content. As noted in the article on page one of this issue of Entertainment Law & Finance, the two-judge panel held that Viacom and the class could move forward on claims that Google was “willfully blind” to instances of copyright infringement on YouTube.

The Second Circuit also reversed Manhattan federal district court judge Louis Stanton by allowing Viacom to argue that YouTube had a “right and ability to control the infringing activity and received a financial benefit directly attributable to that activity.” Sims took the lead arguing those issues in October.

Sims landed on the case for the appeal after former Proskauer partner Louis Solomon left for Cadwalader, Wickersham & Taft in March 2010. Sims will continue to represent the Football Association Premier League, which is also suing YouTube, now that the case is back at the district court. Taking over the case offered him a second shot at arguing DMCA issues before Second Circuit after a 2001 trip to the court for the plaintiffs in Universal City Studios Inc. v. Corley , 273 F.3d 429, in which the movie studios fought successfully to block a program that could decrypt DVDs.

As the Viacom case returns to the district court, Sims says, “[o]bviously there will be a lot of focus on willful blindness and [YouTube's] knowledge and red flag awareness.” Barring a settlement, more appellate litigation seems all but certain. “I think there is still some ambiguity that the Second Circuit left in the law,” Smith says. “So we'll have some wrangling about what the safe harbors are.”


Nate Raymond is a reporter with The American Lawyer, an ALM affiliate publication of Entertainment Law & Finance.

This premium content is locked for Entertainment Law & Finance subscribers only

  • Stay current on the latest information, rulings, regulations, and trends
  • Includes practical, must-have information on copyrights, royalties, AI, and more
  • Tap into expert guidance from top entertainment lawyers and experts

For enterprise-wide or corporate acess, please contact Customer Service at [email protected] or 877-256-2473

Read These Next
Major Differences In UK, U.S. Copyright Laws Image

This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.

The Article 8 Opt In Image

The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.

Strategy vs. Tactics: Two Sides of a Difficult Coin Image

With each successive large-scale cyber attack, it is slowly becoming clear that ransomware attacks are targeting the critical infrastructure of the most powerful country on the planet. Understanding the strategy, and tactics of our opponents, as well as the strategy and the tactics we implement as a response are vital to victory.

Legal Possession: What Does It Mean? Image

Possession of real property is a matter of physical fact. Having the right or legal entitlement to possession is not "possession," possession is "the fact of having or holding property in one's power." That power means having physical dominion and control over the property.

The Anti-Assignment Override Provisions Image

UCC Sections 9406(d) and 9408(a) are one of the most powerful, yet least understood, sections of the Uniform Commercial Code. On their face, they appear to override anti-assignment provisions in agreements that would limit the grant of a security interest. But do these sections really work?