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Historical facts are the essence of fictionalized 'true stories' as well as non-fiction historical accounts. But authors who dip into the bowl of history to prepare their own creative works must accept that facts are not protectible under copyright. This exclusion applies equally to the facts in a fictionalized or fictional narrative as well as to non-fiction history.
Actress-producer-writer Emma Th-ompson knows this principle well. She wrote the screenplay for a film named Effie about John Ruskin and John Everett Millais, 'stars of the Victorian art world,' and their relationships with Euphemia (Effie) Gray, the 'intriguing woman' who was married to each of them. Thompson assigned the copyright to her screenplay to Effie Film LLC (EFL), which produced a film based on it featuring Dakota Fanning, Robbie Coltrane and herself. The film gave rise to litigation even before it was fully financed.
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The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.
There's current litigation in the ongoing Beach Boys litigation saga. A lawsuit filed in 2019 against Nevada residents Mike Love and his wife Jacquelyne in the U.S. District Court for the District of Nevada that alleges inaccurate payment by the Loves under the retainer agreement and seeks $84.5 million in damages.
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With each successive large-scale cyber attack, it is slowly becoming clear that ransomware attacks are targeting the critical infrastructure of the most powerful country on the planet. Understanding the strategy, and tactics of our opponents, as well as the strategy and the tactics we implement as a response are vital to victory.
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