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These are heady times for creators of books and stories that may be suitable for television production. In addition to the traditional broadcast networks (NBC, CBS, ABC and Fox), a legion of pay and basic cable exhibitors and, more recently, direct-to-consumer streaming outlets such as Netflix, Amazon, Apple and Hulu, are voraciously licensing product from those creators. (Although the licensee of the content may be a production company or the ultimate exhibitor, for the purposes of the article we will refer to the licensee as “the exhibitor”).
By Stan Soocher
Only days after winning dismissal of an anti-trust lawsuit over its 2019 move to a new location in Miami, FL, for the Ultra Music Festival, Worldwide Entertainment lost its bid to reopen a court case over use of the “Ultra Music” brand for a festival overseas.
By Scott Graham
A unanimous U.S. Supreme Court, led by Justice Brett Kavanaugh, held that the phrase “full costs” in §505 of the Copyright Act means all of the costs specifically enumerated in the general cost-shifting statutes, such as transcripts and fees for court-appointed experts and interpreters.
By Robert J. Bernstein and Robert W. Clarida
The Supreme Court had granted cert in Fourth Estate to resolve a split in the federal circuit courts as to whether §411(a) of the Copyright Act could be read to allow commencement of an infringement action once a registration application filed with the Copyright Office is complete (the “application approach”) or, instead, only (subject to limited statutorily specified exceptions) upon issuance by the Copyright Office of the registration (the “registration approach”).
By Simon Taylor
Under the agreement, the studios and Sky UK will open up pay-TV markets, allowing consumers across the European Union to access to a wider range of content regardless of their location.