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This article is Part Two of a two-part article. Part One appeared in our March 2020 issue. Among other things, the article discusses the Swedish music industry perspective on the European Union's Copyright Directive, the growth of multi-country music licensing hubs and the impact of Brexit.
Nils Danielsson was interviewed for this article as Head of Strategy and Partnerships for the Swedish Performing Rights Society (STIM), Sweden's collective rights management organization (CMO) for music composers and publishers. Entertainment Law & Finance Editor-in-Chief Stan Soocher conducted the interview that follows at STIM's Stockholm headquarters.
Q: What are your responsibilities at STIM?
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