Follow Us
Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.
To prove copyright infringement, a plaintiff must demonstrate that the defendant copied a substantial amount of protected expression from a plaintiff’s work. Facts themselves are not copyrightable, although a sufficiently original selection, coordination or arrangement of facts may qualify for a compilation copyright. In its recent decision in Corbello v. Valli, 974 F.3d 966 (9th Cir. 2020), the U.S. Court of Appeals for the Ninth Circuit held that materials taken from an autobiography of Tommy DeVito — an original member of The Four Seasons music group — and used in the Broadway musical Jersey Boys depicting the band’s history and hits, comprised facts and other noncopyrightable expression.
Continue reading by getting
started with a subscription.
By Stan Soocher
Can the settlement of a lawsuit by one profit participant in a TV production be used to increase the contingent compensation provisions of other profit participants in the show?
In-House Counsel Perspective on Negotiating Social Media Influencer Contracts
By Chris O’Malley
With the FTC amping up its scrutiny in the social media influencer space, in-house counsel has an opportunity to mitigate risk and help their companies get more bang for their influencer marketing buck.
Pursuing AI Programmers and Third Parties over Alleged Rights Violations Caused by AI Software
By Jonathan Bick
Because AIs are capable of causing harm but cannot be a legal entity, they are not held accountable by court action. Several current and future possibilities exist to resolve AI difficulties. Current options involve identifying indirect liability. Future options include but are not limited to changing the law to make an AI a legal person and/or changing the law to make AI programing an ultra-hazardous activity.
By Entertainment Law & Finance Staff
Notable recent court filings in entertainment law.
Copyright © ALM Global, LLC. All Rights Reserved.
