Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.
Under Section 507(b) of the U.S. Copyright Act, an infringement claim isn’t timely filed “unless it is commenced within three years after the claim accrued.” In its recent decision in Starz Entertainment LLC v. MGM Domestic Television Distribution LLC, 21-55379 (9th Cir. 2022), the U.S. Court of Appeals for the Ninth Circuit noted: “Generally, the claim ‘accrues’ when the infringement or violation of one of the copyright holder’s exclusive rights occurs, known as the ‘incident of injury rule.’ In our circuit, and every other circuit to have reached the question, an exception to that infringement rule has developed. Known as the ‘discovery rule,’ a claim alternatively accrues when the copyright holder knows or reasonably should know that an infringement occurred.”
Continue reading by getting
started with a subscription.
By Stan Soocher
To the public, a band typically is defined as its performing members, not a business entity that may control the music group. But when it comes to royalty rights, are the performers or the business entity entitled to “featured artist” statutory royalties from digital transmissions of the band’s sound recordings?
Major Labels File Lawsuits Over AI Companies’ Alleged Copying of ‘World’s Most Popular’ Recordings
By Jane Wester
Major record labels including Capitol Records and Sony Music Entertainment sued two music-focused generative artificial intelligence companies, accusing them of “willful copyright infringement on an almost unimaginable scale.”
Hope for ‘Spotify Model’ for Licensing Content for AI
By Mason Lawlor
A “Spotify model” of licensing, regulation and royalties could be the answer to the recent slew of lawsuits and future litigation relating to generative artificial intelligence defined by rampant misappropriation of name, image and likeness of individuals, including high-profile celebrities.
By Entertainment Law & Finance Staff
Notable recent court filings in entertainment law.