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After Beach Boy Brian Wilson’s ex-wife Marilyn filed a request in Los Angeles Superior Court for an accounting and for payment, under the couple’s 1981 divorce judgment, of 50% of the monies Brian received from his 2021 sale of his song rights to Universal Music, Brian’s counsel had the case removed to Los Angeles federal court citing federal question jurisdiction. This was because the songs sale occurred after Brian had recaptured his copyrights under the 17 U.S.C. §304(c) copyright-assignment termination provision of the U.S. Copyright Act. Wilson v. Rutherford, 2:22-cv-01982 (C.D.Calif. 2022).
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By Stan Soocher
To the public, a band typically is defined as its performing members, not a business entity that may control the music group. But when it comes to royalty rights, are the performers or the business entity entitled to “featured artist” statutory royalties from digital transmissions of the band’s sound recordings?
Major Labels File Lawsuits Over AI Companies’ Alleged Copying of ‘World’s Most Popular’ Recordings
By Jane Wester
Major record labels including Capitol Records and Sony Music Entertainment sued two music-focused generative artificial intelligence companies, accusing them of “willful copyright infringement on an almost unimaginable scale.”
Hope for ‘Spotify Model’ for Licensing Content for AI
By Mason Lawlor
A “Spotify model” of licensing, regulation and royalties could be the answer to the recent slew of lawsuits and future litigation relating to generative artificial intelligence defined by rampant misappropriation of name, image and likeness of individuals, including high-profile celebrities.
By Entertainment Law & Finance Staff
Notable recent court filings in entertainment law.
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