The emerging cases by authors and copyright owners challenging various generative AI programs for using copyrighted materials are certain to create new troubles for the courts being asked to apply the fair use doctrine to this important new technology.
- February 01, 2024Jonathan Moskin and Rachel Pauley
Notable court filings in entertainment law.
February 01, 2024Entertainment Law & Finance StaffA look at moves among attorneys, law firms, companies and other players in entertainment law.
February 01, 2024Entertainment Law & Finance Staff2024 starts off with court decisions and procedural rulings that took shape in 2023 in lawsuits that were filed over the collision of creative content with generative AI programs. Most of the complaints allege copyright infringement and related claims prompted by the unlicensed copyright works that AI companies input into their AI programs.
January 01, 2024Stan SoocherThe FTC said that the misuse of training data like infringing on a work's copyright license is tantamount to unfair competition, thus implicating consumer protection with copyright policy and securing the agency's jurisdiction in the regulatory space.
January 01, 2024Isha MaratheWhether there's a fair use right to use copyrighted texts to train learning language models (LLMs) such as LLaMA is one of the central legal questions facing companies developing generative artificial intelligence. District Judge Chhabria then knocked out a significant chunk of the plaintiffs' initial claims — a win for Meta's legal team. Following are interviews about the case with these defense lawyers.
January 01, 2024Ross ToddA look at moves among attorneys, law firms, companies and other players in entertainment law.
January 01, 2024Entertainment Law & Finance StaffNotable court filings in entertainment law.
January 01, 2024Entertainment Law & Finance StaffThe final print edition of Entertainment Law & Finance will be our January issue.
January 01, 2024Steve SalkinReversing and remanding, the Ninth Circuit emphasized: "The district court's approach of reducing choreography to 'poses' is fundamentally at odds with the way we analyze copyright claims for other art forms, like musical compositions."
December 01, 2023Stan Soocher







