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Entertainment and Sports Law

  • Entertainment practices with well-known clients are in high demand in the Los Angeles legal market, leading to a spate of lateral hires among American Lawyer 200 firms in the latter part of 2018.

    February 01, 2019ssalkin
  • Actor's Negligence Claim over Film Set Injury Preempted by California's Workers' Compensation Act
    Nashville Federal Court Decides Record Producer Didn't Abandon Master Recordings of 1970s George Jones Album

    February 01, 2019Stan Soocher
  • The Essential Guide to Entertainment Law: Intellectual Property
    The Essential Guide to Entertainment Law: Dealmaking

    February 01, 2019ssalkin
  • This article delves into YouTube's policies for channel monetization, explores the different streams of revenue an artist or creator may be entitled to receive for their works, and offer suggestions to indie creators and more established creators, so they can meet these new thresholds.

    January 01, 2019Gwendolyn Seale
  • As convenient, useful and cool mobile technology and interconnected devices are, they come with risks that remain largely unseen or, worse, ignored. Some pose security risks and privacy risk, like those present in voice-activated devices — especially for children. For manufacturers, they also pose regulatory litigation and insurance risks, especially when children end up using their “smart” products.

    January 01, 2019Jeffrey Higel, Michael Bahar and Mike Nelson
  • Complaints to Amazon by TV Show Host and His Attorney Didn't Constitute DMCA Notices
    No Actual Malice by Defendants in Libel Suit over Composite Character in Film

    January 01, 2019Stan Soocher
  • This article focuses on managing change for clients affected by the MMA's government-mandated mechanical licensing collective. In my view, far from putting songwriters on a trajectory away from the government regulation that has oppressed them for generations, the collective imposes an entirely new bureaucracy with potentially significant costs that are not readily apparent.

    December 01, 2018Chris Castle
  • These times are heady for creators of books and stories that may be suitable for television production. In addition to the traditional broadcast networks, a legion of pay and basic cable exhibitors and, more recently, direct-to-consumer streaming outlets are voraciously licensing product from those creators. Much press is given to the compensation aspects of the creators' agreements with exhibitors, but attention also should be paid to the extent and duration of the exhibitor's exclusivity in the property in which rights are being acquired,

    December 01, 2018Neil J. Rosini and Michael I. Rudell