Entertainment and intellectual property practitioners and businesses should take note of these changes, as they directly inform the manner in which these matters will be handled moving forward and could potentially affect outcomes.
- January 01, 2017Scott Harper
A start-up that provides a technology that filters movies for profanity, violence and other objectionable content has vowed to take a copyright battle against Hollywood all the way to the U.S. Supreme Court after a federal judge granted an injunction blocking its service.
January 01, 2017Amanda BronstadThere are many family law issues, both mundane and unique, facing a client who is either a professional athlete or married to one. If such a case is offered to you, will you accept it? And if you do, what issues should you expect to encounter?
Part One of a Two-Part Article
January 01, 2017Lynne Strober and Elisabete M. RochaAgreement for Handing Sale of Ben E. King's Copyright Interests Ruled Invalid Due To Termination Notices Issue
Oregon Federal Court Makes It Difficult to Be Awarded Attorney Fees When Pursuing Peer-to-Peer File-Sharing DefendantsJanuary 01, 2017Stan SoocherRecord companies and music publishers will get more damages and a second shot at holding the founder of MP3tunes liable for additional copyright infringement following a federal appeals court decision on Oct. 25.
November 01, 2016By Mark HamblettCompensation provisions in entertainment contracts are in one or two subparagraphs. To simplify drafting and to use “plain English,” the compensation provisions often contain introductory, governing language along the lines of: “In full and complete consideration for entering into and performing all of the terms hereof.” However, is such a “plain English” approach always a “best practice”?
November 01, 2016Thomas D. SelzThe U.S. Court of Appeals for the Second Circuit decided that an agreement between a book author and a publisher allowed a customer of distributor Barnes & Noble to retain a sample of the book in the “digital locker” the distributor provided to the customer.
November 01, 2016Stan SoocherWhen, as is often the case, actual copyright damages are difficult to prove, statutory damages may provide the best option for recovery. Recently, in Friedman v. Live Nation Merchandise, the U.S. Court of Appeals for the Ninth Circuit considered, among other things, two issues greatly affecting the amount of statutory copyright damages: 1) willfulness; and 2) the number of separate awards available for downstream infringements.
November 01, 2016Robert J. Bernstein and Robert W. Clarida








