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In March 2019, the U.S. Supreme Court held that, under 17 U.S.C. §411(a), “registration occurs, and a copyright claimant may commence an infringement suit, when the Copyright Office registers a copyright” — that is, acts on a registration application, rather than when an applicant delivers the registration materials to the Copyright Office. Fourth Estate Public Benefit Corp. v. Wall-Street.com LLC, 139 S. Ct. 881 (2019). The 9-0 Supreme Court majority opinion, by Justice Ruth Bader Ginsburg, affirmed a ruling by the U.S. Court of Appeals for the Eleventh Circuit and helped clarify the U.S. Copyright Act’s use of the word “registration” that had split the federal circuits. But even with Fourth Estate, some questions remain.
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By Stan Soocher
To the public, a band typically is defined as its performing members, not a business entity that may control the music group. But when it comes to royalty rights, are the performers or the business entity entitled to “featured artist” statutory royalties from digital transmissions of the band’s sound recordings?
Major Labels File Lawsuits Over AI Companies’ Alleged Copying of ‘World’s Most Popular’ Recordings
By Jane Wester
Major record labels including Capitol Records and Sony Music Entertainment sued two music-focused generative artificial intelligence companies, accusing them of “willful copyright infringement on an almost unimaginable scale.”
Hope for ‘Spotify Model’ for Licensing Content for AI
By Mason Lawlor
A “Spotify model” of licensing, regulation and royalties could be the answer to the recent slew of lawsuits and future litigation relating to generative artificial intelligence defined by rampant misappropriation of name, image and likeness of individuals, including high-profile celebrities.
By Entertainment Law & Finance Staff
Notable recent court filings in entertainment law.