Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.
In a victory for several aerosol artists and for what are commonly referred to as "moral rights," the Second Circuit Court of Appeals gave its seal-of-approval to the legal framework applied in a substantive decision on the Visual Artists Rights Act of 1990 (VARA). In Castillo v. G&M Realty, L.P., the Second Circuit affirmed a $6.75 million judgment against a real estate developer for willfully violating VARA rights for 45 works of visual art. Nos. 18-498-cv (L), 18-538-cv (CON), 2020 U.S. App. LEXIS 5228 (2d Cir., Feb. 20, 2020). The lower court's finding of willfulness increased the maximum amount of statutory damages the defendant could be liable for by a factor of five, and then it awarded the maximum amount of damages possible. While the case expounds upon a body of law seldom explored, it also serves a sobering reminder to litigants on just how much their candor can impact credibility and damages. In particular, the court found that "if not for [the defendant's] insolence, these damages would not have been assessed." Cohen v. G&M Realty, L.P., 320 F. Supp. 3d 421, 447 (S.D.N.Y. 2018) (Cohen II). By affirming the decision, the Second Circuit and lower court have created a framework to evaluate a work's "recognized stature," as required by VARA.
VARA amended original copyright protections to add two "moral rights," which commonly exist in European countries for works of visual art. See, Robert J. Sherman, Note, The Visual Rights Act of 1990: American Artists Burned Again, 17 Cardozo L. Rev. 373 (1995). Works of visual art include aesthetically creative works that exist in a single copy or limited edition copies of 200 or fewer. See, 17 U.S.C. §101. VARA afforded authors of these works two categories of rights beyond that of typical copyright protection. The first is the right of attribution, i.e., an artist's right to claim authorship and prevent incorrect attributions of authorship. The second is the right of integrity i.e., an artist's right to prevent intentional destruction of their work. See, 17 U.S.C. §106A(a). Both rights exist regardless of ownership of the work and are afforded the same damages — actual and statutory — as other copyrighted works. See. 17 U.S.C. §106A(b); Cohen II, 320 F. Supp. 3d at 429-430. Statutory damages range from $750-$30,000 for each work and that amount can be increased in the cases of willfulness up to $150,000 per work. See, 17 U.S.C. §504.
ENJOY UNLIMITED ACCESS TO THE SINGLE SOURCE OF OBJECTIVE LEGAL ANALYSIS, PRACTICAL INSIGHTS, AND NEWS IN ENTERTAINMENT LAW.
Already a have an account? Sign In Now Log In Now
For enterprise-wide or corporate acess, please contact Customer Service at [email protected] or 877-256-2473
On Aug. 9, 2023, Gov. Kathy Hochul introduced New York's inaugural comprehensive cybersecurity strategy. In sum, the plan aims to update government networks, bolster county-level digital defenses, and regulate critical infrastructure.
A trend analysis of the benefits and challenges of bringing back administrative, word processing and billing services to law offices.
Summary Judgment Denied Defendant in Declaratory Action by Producer of To Kill a Mockingbird Broadway Play Seeking Amateur Theatrical Rights
When we consider how the use of AI affects legal PR and communications, we have to look at it as an industrywide global phenomenon. A recent online conference provided an overview of the latest AI trends in public relations, and specifically, the impact of AI on communications. Here are some of the key points and takeaways from several of the speakers, who provided current best practices, tips, concerns and case studies.