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While the livestreaming of music performances is not an entirely new phenomenon, the COVID crisis has transformed the live performance landscape, compelling artists from around the world to reach their fanbase by producing “quarantine streams,” in which they livestream their sets on social media platforms. Unsurprisingly many questions have arisen.
This article is Part Two of a two-part article. Part One appeared in our January 2021 issue.
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By Stan Soocher
A current dispute over a band name that’s worth tracking is one between two founding members of “The Isley Brothers,” the legendary r&b group, that focuses on what happens to ownership of the band name rights when one member stops performing with the group but continues to be involved in its business affairs.
By Andrew Hope/Michael A. Mora
Over the past four years, the NCAA aggressively lobbied Congress to pass a uniform NIL standard. Roughly a dozen bills have been sponsored by Democrats and Republicans alike, though none has ever advanced to a vote. Consequently, it appears increasingly likely that the courts will be called upon once again to intervene.
By Robert W. Clarida and Thomas Kjellberg
The U.S. District Court for the District of Columbia recently upheld a final refusal by the U.S. Copyright Office to register a visual work that was “autonomously created by a computer algorithm running on a machine,” which the plaintiff called the Creativity Machine and identified as the “author” of the work.
By Entertainment Law & Finance Staff
Notable court filings in entertainment law.