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As artificial intelligence increasingly penetrates the entertainment industry — such as with lyric-writing capabilities — Internet licensing interest expands. But the licensing of Internet AI intellectual property is stymied because of legal difficulties such as the proper assessment of the jurisdiction for the licensing agreement and the nature of the Internet, including the proper identification of the parties for the licensing agreement. However, the primary issue associated with securing a licensor’s consent for Internet AI intellectual property is that normally the licensor is a computer program, hence not a legal person.
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By Michelle Davis
Force majeure is lurking in the shadows of the Hollywood strikes, offering struggling studios a potential lifeline out of debt. But the best attorneys and the strongest contracts are proactive, rather than reactive. Thus, consider the following drafting tips to strengthen your force majeure language now, in the calm before the next storm.
By George Ernst
This year’s update from the U.S. Citizenship and Immigration Service for O-1B visa petitions has knock-on effects for the movie and TV industries. The update has clarified the correct standard of adjudication for an individual with both elements of an O-1B artist and O-1B motion-picture-and-television-industry (MPTV) classification, meaning situations where a foreign national will be working in the U.S. as an artist, but some of their work will be in MPTV.
By Thomas Kjellberg and Robert W. Clarida
Termination is not automatic. It may be effected only through affirmative action on the part of the author or his or her statutory successors, who must serve an advance notice, signed by or on behalf of all of those entitled to terminate the grant, on the current copyright owner within specified time limits and under specified conditions.
By Entertainment Law & Finance Staff
A look at moves among attorneys, law firms, companies and other players in entertainment law.