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The U.S. District Court for the District of Columbia recently upheld a final refusal by the U.S. Copyright Office (USCO) to register a visual work entitled “A Recent Entrance to Paradise.” According to the application filed with the USCO by plaintiff Stephen Thaler, the image was not the product of human authorship but was instead “autonomously created by a computer algorithm running on a machine,” which the plaintiff called the Creativity Machine and identified as the “author” of the work. The plaintiff named himself as the copyright claimant, however, on the basis that he was the “owner of the machine.”
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By Stan Soocher
To the public, a band typically is defined as its performing members, not a business entity that may control the music group. But when it comes to royalty rights, are the performers or the business entity entitled to “featured artist” statutory royalties from digital transmissions of the band’s sound recordings?
Major Labels File Lawsuits Over AI Companies’ Alleged Copying of ‘World’s Most Popular’ Recordings
By Jane Wester
Major record labels including Capitol Records and Sony Music Entertainment sued two music-focused generative artificial intelligence companies, accusing them of “willful copyright infringement on an almost unimaginable scale.”
Hope for ‘Spotify Model’ for Licensing Content for AI
By Mason Lawlor
A “Spotify model” of licensing, regulation and royalties could be the answer to the recent slew of lawsuits and future litigation relating to generative artificial intelligence defined by rampant misappropriation of name, image and likeness of individuals, including high-profile celebrities.
By Entertainment Law & Finance Staff
Notable recent court filings in entertainment law.