Account

Sign in to access your account and subscription

Litigation

  • Complaints to Amazon by TV Show Host and His Attorney Didn't Constitute DMCA Notices
    No Actual Malice by Defendants in Libel Suit over Composite Character in Film

    January 01, 2019Stan Soocher
  • Obviousness-Type Double Patenting Does Not Invalidate Section 156 Patent Term Extension
    Federal Circuit Holds Assignor Estoppel Does Not Apply in IPR Context
    Federal Circuit Reverses District Court Holding of Patent Ineligibility of Computer Security Patent

    January 01, 2019Jeff Ginsberg and Hui Li
  • Co-Tenant Obtains Partition Upon Failure of Adverse Possession Claim
    Questions of Fact Remain About Violation of Covenant Requiring Use As a Catholic High School
    Mortgagor's Letter Seeking Short Sale Did Not Reset Statute of Limitations on Mortgage
    Failure to Construct Facility Triggers Reverter Provision in Deed
    Questions of Fact About Whether Buyers Had Made Time of the Essence
    No Equitable Mortgage When Statute of Limitations Bars Written Mortgage
    Cotenant Entitled to Partition with Accounting

    December 01, 2018ssalkin
  • Video Surveillance an Adequate Substitute for Lobby Attendants
    Yellowstone Injunction Unavailable When Tenant Could Not Establish Willingness to Cure
    Landlord Prevails In Nonprimary Residence Proceeding

    December 01, 2018ssalkin
  • This article focuses on managing change for clients affected by the MMA's government-mandated mechanical licensing collective. In my view, far from putting songwriters on a trajectory away from the government regulation that has oppressed them for generations, the collective imposes an entirely new bureaucracy with potentially significant costs that are not readily apparent.

    December 01, 2018Chris Castle
  • There is no one-size-fits-all approach to due diligence, but some methods are significantly cheaper and more aligned to the business than others.

    December 01, 2018Ryan McConnell and Stephanie Bustamante
  • These times are heady for creators of books and stories that may be suitable for television production. In addition to the traditional broadcast networks, a legion of pay and basic cable exhibitors and, more recently, direct-to-consumer streaming outlets are voraciously licensing product from those creators. Much press is given to the compensation aspects of the creators' agreements with exhibitors, but attention also should be paid to the extent and duration of the exhibitor's exclusivity in the property in which rights are being acquired,

    December 01, 2018Neil J. Rosini and Michael I. Rudell